People often ask me, “Why do you paint?”
And I always pause, because the real answer isn’t simple or clean.
It’s a whole life’s worth of experiences that led me here.

The truth is, creativity has followed me for as long as I can remember… long before I ever touched a canvas. I was always the friend people called when they needed help reorganizing a room, choosing colors, or making their home feel alive again.
I didn’t call it “design.”
I just knew how to transform a space, and people trusted me with their homes, their energy, their environment.

I didn’t think of it as a gift.
It was just natural to me.

One day I was helping paint someone’s house — nothing glamorous, just another project for a friend — and when we were done, there was extra paint left over. I remember standing there, looking at that blank wall, feeling something pull at me.

So I grabbed what was left, and I made something.
Quick. Instinctive. Messy. Honest.

We hung it on the wall, and I remember thinking,
“I didn’t expect that.”
And neither did they.

That was the first moment I realized art was inside me —
I just hadn’t given it space to speak yet.



“When I paint, something else takes over.”

When I walk into my studio now, I don’t think.
I don’t sketch.
I don’t map out colors or plan compositions.

I just start.

My hands move before my thoughts do.
Whatever needs to come out, comes out.
And the world gets quiet.

People assume I’m exhausted afterward, and I am — but not in the way they imagine.
It’s not tiredness.
It’s release.
It’s like the painting pulled something out of me that I didn’t need to hold anymore.

And one thing people are always surprised to hear:
I never see the hidden imagery first.

Collectors, friends, even strangers will say,
“Do you see the face right here?”
or
“Do you notice the figure in this corner?”

I never do.
Those shapes reveal themselves to everyone else before they reveal themselves to me.
I don’t place them — they just appear, like the painting is telling its own story.



“My past shows up in my work, but not how people expect.”

I don’t paint events.
I don’t paint trauma directly.
I paint the process of moving through it.

Some pieces come from pain.
Some come from healing.
Some come from moments I can’t even explain.

But all of them are honest.

My art is layered, emotional, textured, and unfiltered.
I’m not interested in perfection — I’m interested in presence.
In energy.
In what a piece feels like when you stand in front of it.

Collectors often tell me my paintings feel alive.
Maybe it’s because I don’t create for approval — I create from instinct.



“This is who I am. Not who I’m trying to be.”

I don’t chase trends.
I don’t paint to fit in.
I don’t try to resemble any other artist.

This is just me — all of me — poured into movement and color.

Every piece carries a story.
Every layer holds something I’ve lived through.
Every texture is a conversation with myself.



“Art didn’t save me. It helped me return to myself.”

My work now lives in homes, private collections, and curated spaces across the country.
People tell me the art changes the energy of their room — calms it, charges it, grounds it.

I love hearing that.
But the truth is, every piece changes me first.

Painting is how I heal.
How I speak without words.
How I connect with parts of myself I ignored for years.

It’s not something I do —
it’s who I am.

And if someone connects with what they see,
if a piece speaks to them the way it spoke through me —
then the work did exactly what it was meant too.

SHANNON LOUIS

A person's hand covered in black ink or paint presses down on a canvas or paper, surrounded by art supplies and splatters, indicating an abstract or mixed media art creation process.
A man wearing sunglasses, a black leather jacket, and black gloves sitting on a red chair in an art gallery surrounded by abstract black, white, and gray paintings.
A wooden desk or shelf with art tools, including carving or sculpting knives, stored in a small container. A Lego set box is visible in the background.

Credentials

    • 2018

      Design innovation award- Winner- Irvine, United States

    • 2017

      Design innovation award - Nominated- Irvine, United States

    • 2025

      The passion still remains / VIP - Palm Springs, United States

    • 2025

      MCM X Shannon Louis The web of life launch / MCM - Cabazon, United States

    • 2025

      MCM x Shannon Louis collaboration, pre-launch event / MCM - Cabazon, United States

    • 2025

      Meet and greet with established artist, Shannon Louis / MCM - Cabazon, United States

    • 2025

      Art meets Fashion / MCM - Cabazon, United States

    • 2024

      SL commission showroom grand opening / SL showroom - Yucaipa, United States

    • 2025

      RG- MCM X Shannon Louis collaboration

    • 2025

      RG- Who is Shannon Louis?

    • 2025

      MCM - Cabazon, United States

    • 2024

      SL commission showroom - Yucaipa, United States

    • 2024

      Laguna Art Gallery - Mission Viejo, United States

    • 2025

      The web of life, United States

    • 2025

      SL color collection, United States

    • 2023

      Love of purple, United States

    • 2023

      The truth within the shadows, United States

    • 2022

      Night fall in the forest, United States

    • 1994

      SL signature collection, United States

Gallery Comments

Alex Colard · October 20, 2025

Senior Curator & Gallery Director at Charity-Art-Gallery.com

I love its energy; it feels vertical, saturated, and alive.

Alex Colard · October 5, 2025

Senior Curator & Gallery Director at Charity-Art-Gallery.com

That texture is so rich, love the deep blue energy


Vanni Rinaldi Air Daryal
· September 8, 2025

Owners at Veridieci Art Manager

I would start with a compelling play between white and black. In Shannon Louis, that chromatic opposition is never a sterile contrast but a duet that shapes meaning and emotional depth. It is in that silent tension that his most powerful visual language is born.

Gallery Likes

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